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VME to Implement Dwolla Payment Processing

09 Jan

As a consumer, I recognize the need for payment processing to possess these two qualities:

1. Safety and Security

2. Ease and Connivence

Though Paypal and Google Wallet are perfectly fine, for larger orders (such as EPs and Albums) it is preferred that payment be made through Dwolla. The system is extremely simple and easy to understand and as well as being trustworthy and secure.

As a service provider, payment processors charge me fees from each payment received, and with providers such as Paypal, these fees can add up to hundreds of dollars on large orders. Yes, this is a cost of business, but may also in turn cause me to raise my rates and ultimately pass on these fees to the consumer. Dwolla has the lowest rates of any payment processor and allows both the service provider and consumer to make the best use of their resources. I hope you understand my sentiment and I appreciate your cooperation in the matter.

 

Let’s Talk About Google+ for Musicians

21 Jul

You would be hard pressed to NOT have heard of Google+, the newest social networking and sharing tool from Google which after one month of existence boasts around 18 million users. Artists are already bombarded with a plethora of tools to help them connect with their fans, but Google+ truly adds some unique features which have great potential for integration into a musicians marketing arsenal. Google+

Overview:

Google+ consists of a content stream, photos, sparks, hangouts, and chat. While these features are nothing groundbreaking, the feature pulling all of the others together is Circles. Circles allow you to put contacts into different, self-defined groups, which control  what content you see and share. Since there are a number of good articles explaining the basics of the platform, let’s get into how each feature may be utilized by an artist.

Note: Currently only personal accounts exist and Google has suggested that businesses (artists) postpone creating accounts until special business accounts currently under development are made available.

Circles:

Circles is where the magic of Google+ takes place. You can create as many Circles as you want, and add people by simply dragging their info into a Circle. Once your Circles are created, you can share content to select Circles as well as view content streams from specific circles. Artists should start by importing their mailing list addresses into Google+, posting their info on their existing marketing channels (facebook, twitter), and inviting those not yet using the service to join.

Now that you have your contacts, it is time to organize your Circles. It should be noted that your Circles are private, so others cannot view or be offended by your orginizational decisions. Some possible Circles include:

  1. Industry Representatives: You probably only want to share updates concerning your latest releases, videos, and press content with industry folk who may be following you as they are less concerned about the burrito you just consumed.
  2. Fans: This is where you can share the content your fan base enjoys reading. Let them know about your whereabouts, experiences, touring or recording progress, post photos and music etc…
  3. Breakdown the Fan Circle into smaller circles to have more defined targeting. For example, create Circles for different areas of the country and international fans to ensure you aren’t over promoting shows to fans thousands of miles away. If your fan base includes young teens, young adults, and older adults, consider categorizing these contacts as well. Each group prefers to be spoken to in different tone and filled in on different activities. Sometimes even male and female Circles make sense.
  4. Other artists: Much like yourself, other artists are learning from experiences, trying out new marketing ideas, using new services etc…Follow what others are doing and share what you know with others in your position.
  5. Following: Much like Twitter, you can follow others without being Circled back. This is good for keeping up with informative figures who may not call for reciprocal sharing.

Knowing which content your various Circles enjoy receiving will help ensure that only the most suitable posts make it to their stream.

Sparks:

Sparks are similar to your RSS feed or Google Alerts. Simply add some interests and topics you’d like to follow and check it ever so often to stay up to date.

Hangouts:

This is another great feature for artists. Hangouts are hosted group video/audio/text chats. If you’ve used Ustream, it’s a little similar but even more interactive considering you can see and hear the other members in the Hangout.  It is really a great way to allow your fans to get to know you as well as for you to get more acquainted with your fans. Host special Hangouts for your different Circles and maybe play an acoustic set, have an open question and answer session, or just let your fans connect with one another.

Daria Musk performs in a Hangout.

The features are there, but the success of Google+’s ability to provide artists with the ultimate marketing tool will largely depend on how many users ultimately adopt the platform. Overall, Google+ will provide artists a way to more meaningfully connect with their audience.

Please share your thoughts and ideas concerning Google+ for artists as this is unexplored territory that begs for creative implementation.  If you aren’t yet a part of the club, post your email and I or another kind soul will send you an invite.

 

Scott Horton helps recording artists achieve the ‘sound in their head’ by providing his technical and creative sonic input through his online mixing service Virtual Mix Engineer

 

Little Known Tactics for Greater Touring Profits

13 Jun

For many independent artists organizing do-it-yourself tours, a common question  is, “how can we make more money on tour?” One of the simplest methods: by spending less. Here are some ways you can cut your expenses while on tour which leaves room for more profit.

Whether you’re planning a national, international, or regional tour the goals are the same: earn income while promoting yourself in a familiar or new territory. Reaching out to fans and connecting personally at your concerts are the keys to gaining a dedicated fan base and generating buzz around your band. Admittedly, while overall comfort plays a key role in combatting tour fatigue and  maintaining performance levels, sometimes comfort isn’t an option. If tour expenses are outweighing guarantees, try implementing some of these cost-cutting  travel techniques tailored for the DIY, self-booking independent artist.

 

Accommodation:

Couch Surfing:

Couch Surfing is the art of being hosted by a local fan or stranger and is the ultimate form of hospitality. Luckily, there are thousands of people willing to let you stay on their couches, floors, or in the guest room for free! When I said it is an art, I meant it, as it involves give and take and some time investment (as does everything meaningful in your career).  Start by creating and completing your profile on CouchSurfing.com as a group. Provide pictures, a group bio and individual bios in a very personable manner (ie. not  your band’s promotional bio).  Once you know the dates of your tour, contact potential hosts by sending a  personalized message detailing your plans in the city, why you think you would get along, and let them know of any goodies you can offer in return. Possible host treats include adding your host and friends to your guest list, cooking a special dish, brining a unique something from your previous stop, and a copy of your album. Since most hosts can only accommodate a  smaller group, if you are traveling with a posse, use multiple hosts. Be respectful, clean up after yourselves, and if there is free time to be had, it is very possible your host will show you their take on their hometown, adding a nice, touristic touch to your experience. The system works on references, so to build your credibility, try to host other travelers in your home city or at least attend local events. A nice side effect of hosting is creating a deep connecting to a a foreigner who then will potentially ‘spread the word’ in a different area or country.

 

Alternatives:

Consider contacting your fans via Twitter or Facebook detailing the dates and city of your tour and asking if anyone would be interested in hosting you. Your fans are your biggest supporters and will often be glad to help.

Check with any local bands that you are playing with to see if you could stay at their place. In return let them know that next time they come through your home town they have a free place to stay.

If you can’t make any of the above options work, consider getting  a motel room outside of downtown that has a free continental breakfast and double up on beds. Kayak.com is a great search tool for this as it compares rates from many sites, or use Priceline’s Name Your Own Price tool and make the motels fit within your budget. AirBnB.com will provide a similar experience to couch surfing, but you’ll have to pay a nightly rate. And there’s always the option of sleeping in the van…

Food:

First off, if your show is catered…enjoy! You may be able to pack some of the left-overs for the road. If not, try to limit yourself and band members to a per diem, remembering that there is no rule that states that you must use the entire amount each day. Saving a few dollars each day will add up, and by the end of the tour the less thrifty band members will stand jealous and amazed by the saver’s take-home.

The grocery store is your ally, and you can easily buy ingredients and meals so the whole band can dine on the cheap. Don’t always order a value meal at fast food restaurants, order only what you need and consider drinking a free cup of water instead of soda. To each his own on the health content of food consumed, but packing some multi-vitamins for the group can help keep your immune systems strong and performers feeling energized. If you’re really doing your planning, follow daily deals on Yipit.com (a deal aggregator) for your tour stops and you could quite possibly avoid paying full price for a meal for the entirety of your tour. Combine this with splitting large portioned meals and everyone is dining for a quarter of the normal price.

Take it easy on your bar tab (if you weren’t able to negotiate free drinks), spending up to $8 per beer each night will drain your income fast. If you must drink, consider saving the drinking for elsewhere where you can buy at retail. Besides, you’re at your merch booth connecting with fans right?

 

Transportation:

Gas:

Costco:

If you will be driving quite a bit, find out if there will be a plethora of Costcos along your route. Gas prices are usually quite a bit cheaper than the average station, and saving a few dollars on each fill up can mean a lot when we’re talking about filling up vans over hundreds of miles. A membership card is needed, so do the math to see if you can justify the $50 initial cost, remembering that it might actually come in handy for other bulk band purchases as well.

Credit Cards:

Many credit cards offer a ‘cash back’ percentage on gas purchases. Some are tied to specific vendors while others apply to all gas purchases. Find a no-fee card which works best for your band’s account and save up to 5% automatically at each fill-up.

Be sure to also check GasBuddy.com to find the best current prices in a given area.

Rideshares:

Of course if you are a band, this is unlikely to work; however, rideshares can be another mode of transportation for solo artists to move about the country while avoiding the woes of vehicle ownership. The pros: no parking fees, less gas fees. The cons: can be unreliable, may be unsafe, timing must be less critical. Another major con is the non-existent to limited public transportation systems in American cities once you arrive. European tours and/or the roaming busker are better suited for this alternative transportation method.

 

Other Tactics:

Wi-fi:

Free wi-fi is abundant, but often there is pressure to buy a $5 latte to enjoy the privilege.    To avoid paying data charges on each phone, forking over wireless surcharges at your accommodation, and driving in circles till a wi-fi signal appears, try using mobile internet  such as the Clear 4G Rover Puck which creates a mobile hotspot and will allow up to eight wireless connections. Use this as your home internet service as well and essentially your connection travels with you on the road  for no additional cost.

 

Do you have any other money saving tour tips, or a positive or negative experience with any of the tactics mentioned above? Please share in the comments.

 

 

 

 

Mixing Vocals Using Compressor Sends

13 May

After watching the latest episode of Pensado’s Place, the interview with Michael Brauer inspired me to try out some new vocal compression techniques. I implemented Michael’s multi-buss compression technique a while back, in which I use buss compression based on the role of a group of instruments – hopefully I will expand on this later.

Today, instead of using one, two, or three compressors on the vocal in serial, I tried out using 5 different compressors in parallel. This is extremely easy to do in Reaper, and once it is set up, the template can be used and tweaked on a per session basis. This is how I have my template set up:

  1. Set up a vocal track, create 5 pre-fader/post insert sends to 5 new aux tracks.
  2. Insert a compressor on each aux track. Work in a variety of ‘flavors,’ most likely including 1176, LA-2A, LA-3A, Fairchild, Cl-1B, RS124 etc…
  3. Solo each compressor to set the desired threshold and attack/release for the song.
  4. On the main vocal track, I make my EQ cuts and filters along with de-essing so the signal I’m feeding the compressor is clear of that junk.
  5. Create a new Vocal Sub group (folder) which contains all of the previous tracks. On this track I can use additive EQ and further processing if needed.
  6. While playing the song, blend the dry and compressed vocal tracks to get the desired tone and feeling – may end up using a few or all of the compressors.
  7. Control the final vocal level with the vocal sub group and create spacial sends from this track.

Of course in Reaper, you can also insert all of the compressors onto one track and use the wet/dry knob to get a similar effect – I just find it easier using faders.

I always like trying out new techniques, so I’m looking forward to implementing parallel vocal compression on upcoming mixes to see how it works out.

 

 
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VME to Offer Analog Dimension Mastering

22 Apr

Mastering the essential, last creative stage in the production of an audio recording. The experienced engineers have a very specific set of high-quality, analog equipment, and finely tuned rooms for treating audio.

Why has VME partnered with a mastering studio?

I love it when I am able to pass along my mixes to a great mastering engineer – the mix wins=the artist wins. The mix ultimately benefits from another set of ears, different gear, and a special take on the song. The artist’s and my own goal for each song is to allow it to reach its maximum potential, which in most cases includes sending it off for proper mastering by a dedicated mastering facility.

 

Why Analog Dimension Mastering?

There are literally hundreds of online mastering studios able to be found with a simple search. After searching for a while, I choose to refer my clients to Analog Dimension for the following reasons:

1. High quality mastering at an affordable rate.

Almost all artists are on a tight budget, so finding a  mastering facility with affordable rates was extremely important.

2. Great gear and excellent engineers.

A finely tuned room and great, analog gear is an integral part of a mastering studio. Of course gear is only as good as the engineer, but in this case their quality is matched.

3. Ease of communication, revision policy, and turn around time.

I  like to be able to freely communicate with the engineer about what it is the artist is after, and to be able to make changes to the master if needed at no extra cost. This is a facility that is in demand, yet does not have a long waiting list which allows the artist to receive their masters in a timely manner.

How does this affect VME clients?

Understandably this will raise the price of the All Inclusive Mix Pack due to the fact that these engineers deserve to be compensated for a job well done. As a repeat customer, they are able to offer me a slight discount which I pass onto my clients.

The mix process will be slightly altered as well being that all changes to the mix must will be based upon the “pre-mastered” mix, and the approved final mix will then be forwarded to mastering.

For those unable to find it within their budget to send their mixes to a dedicated mastering facility, there will be alternate pricing available which will include in-house mastering at no extra charge.

I believe this will is a great value and service to offer to VME clients and believe that our collaborative creative efforts will be positively impact musical productions.

Listen to the  mastering samples below:

Mastering Examples by VirtualMixEngineer

Visit Analog Dimension’s site for more information on their service.

 

Analog Dimension Mastering Studios

Analog Dimension Mastering Studio, Piestany, Slovakia.

 

 

 
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Virtual Mix Engineer’s Pricing Policy and Views

10 Apr

Searching for a mixing or mastering engineer is daunting task which involves thoroughly reviewing the engineer’s sample mixes, background, equipment, tastes, etc…

Not Surprisingly, according to my Google Analytics,  ‘Pricing’ is the most visited page (after the home page). Clients are seeking a great mix, but of course have to know exactly how much money achieving this mix will cost.

I believe in simple, upfront pricing which leaves no question in the client’s mind concerning the total cost of their mixing project.

I do this for a number of reasons:

1. Customers value the ability to visit a site and quickly find and understand the services pricing. With this information, one can quickly record and compare data between similar services.

2. I don’t believe in using the  ”contact us for a quote” approach. It may take days to receive a quote and customers often prefer refrain from discussing terms until they have organized their choices.

3. I have noticed that many engineers offer ‘Major’ and ‘Indie’ prices while stating that both services provide the exact same quality! I personally do not believe it is fair to charge more purely because the client’s budget is larger. Remember, the band will have to pay their entire recording advance out of their royalties, so saving money in the budget for living expenses can be huge! ‘Major’ or ‘Indie,’ you’re paying out of pocket.

4. Besides offering my Minimal Mix service, I do not tack on charges based on track count merely for the reason that many times a track may simply be one sound effect, or eight tracks of group vocals to add thickness. The client should not be charged extra for this.

5. I do not charge for extra services such as vocal tuning, and drum sample replacement. You are hiring me to make your song sound its best – which may or may not include rendering this services. Again, clients do not need to be adding or avoiding services for monetary reasons, they need to be concerned about the final result.

6. I do not charge by the hour. Charing by the hour again forces the client into a penny pinching situation where they may avoid revisions, or want the engineer to work fast. Mixing can be accomplished quickly or slowly, but many times creative experimentation and incubating are just what a mix needs.

My Rates:

Mixing prices vary greatly  and all factor in the engineer’s clout, gear, experience, work place, city, and much more. I have done all in my power to keep a relatively simple setup, in a simple location without steep overhead costs so that artists can receive a quality mix while I get to do what I love to do everyday :) I recognize that I am young and may not have 20 years of experience and 9 platinum records, but I also acknowledge that  I have a gift and ability to bring out the best in a multitude of genres. Word of mouth takes time to build, and as the demand for my services goes up, my fee will rise. On this musical/sonic journey, I’m looking forward to working with and building great relationships with many talented artists like yourself.

I hope this presents some insight into my open and simple pricing and that you feel comfortable ordering a mix from Virtual Mix Engineer.

 

 

Mix Reflection: 4 Track Acoustic Ballad

18 Nov

It is not often that I receive a session with only four tracks (though this is great for file transfers). At first glance, I thought this will be so much simpler than a large session – however four tracks means that all for tracks are extremely exposed and need to be perfected and blended well to make the mix happening.

The session consisted of a single mono acoustic guitar track, two stereo synth string tracks for texture, and a lead vocal. On the strings, I simply used a tool to get some more stereo width out of the tracks and cut a few mid frequencies while boosting some air.

On the guitar track, I first send the track to an aux which contained a doubler with some small delays in left and right channels with a very slow LFO. I blended this in with the original to just give it a bit more thickness and depth. I then used some fairchild style compression to alter the tone a bit but then used a transient tool to enhance the picking of the guitar. Then boosted some air and finger noises for added clarity.

The vocal track was well sung and recorded, no tuning was needed. I wanted the vocal to be intimate and to allow the listener to hear every breathe and nuance of the voice. I first compressed with la-2a style compression, almost used more as a leveler. I then used a tube styler compressor to manage more of the dynamic fluctuations, but it was not working hard. For eq, I filtered out some of the low end, slightly cut some low mids, and then boosted the airiness in the voice.

To help bring all of these elements together I used various reverbs. One Hall reverb was used to put everything in the same room so to speak. Then the vocals were sent to a plate and another hall with varying time and frequency response to give some great depth and thickness to the voice.

On the master, used a Neve style console emulation to get a nice warm tone followed by two stages of very soft compression. Some small eq cuts where made in and some top end was boosted for shininess. Final limiting was very minimal and only began to kick in at the loudest section.

A nice tune by a Finnish artist “Moon Windigo.”

 
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Preparing a Mix: Order of Operations

01 Nov

In math, if you complete an equation in the wrong order of operations, the end result will be far from accurate. In the mixing realm, session preparation will make your life much easier, your workflow faster, and allow you to achieve a better mix in less time.

Though it is easy to want to dig in and begin work on a mix, it is worth it to take time to prepare the layout of the session and get your tracks organized. Initially, this could take anywhere from a few minutes to a few hours depending on the size of the session, but as you get used to completing these steps you will get faster. These preparations are able to be accomplished using any DAW.

1. Properly name all tracks
Go through each track and name the track something meaningful. Sometimes tracks I receive have software instrument names like “Light Years” which I would rename to “High Delay Synth.” With many guitar tracks this can also help distinguish between the common “Guitar 1, Guitar 2″ etc.

Color code tracks according to instrument group and use this scheme for all sessions.
For example, I make all my drums orange, my bass tracks purple, guitars green and so on. There is no specific rhyme or reason, but the fact that I use the same colors for the instrument type in all my sessions means I can quickly glance at the screen, find the track I’m looking for and go to work.

Set up Groups and Sub-Groups.
Setting up groups now will make editing and processing later on much easier. If I have 9 tracks of background harmonies, I’m going to run all the tracks through sub-group for processing and use an edit group on the individual tracks.

Clean up
This is the most time consuming process of the lot as it involves going through all the tracks from beginning to end and editing out silences and building nice crossfades in and out of each region. Use short cut keys and groups to make your work flow faster. The end result will give you completely clean tracks to work with and you won’t have any back ground noise or awkward fades to worry about.

Now I am ready to begin actually hearing some audio by figuring out my basic panning scheme and setting rough levels. A half hour of prep work and I’m organized, have a good understanding of the session as a whole, and can get to work on the fun stuff!

 
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Mix Reflections – Christian Ballad

08 Oct

I started mixing a Christian ballad today. It is kind of ironic how one day I am mixing a song mocking various religions and the next mixing a completely opposite song. That’s what I like about this job :) No judgements here either way.

Additionally the song was in Chinese, which is a first for me. Very good singer though with a pleasant voice. Used some slight doubling, some soft compression, and a combination of a short delay, plate, and hall reverb to give it some nice space.

I had a stereo drum track to work with, so it wasn’t ideal but I went ahead and manually added some samples using the old tab to transient method. Supported it with some 808 like samples as well as a nice Slate birch sample. Used a multi-band compressor on the lower bands of the drum track to basically null out the existing kick to make room for the samples. Some cymbals were surprisingly harsh so the multiband caught any high frequencies as well.

Midi bass tracks are sometimes hard to make sound real, they are missing the human touch. I of course process it to sound its best. I used some Rbass on this to give it some low-harmonics.

Strings were samples as well, so I almost equally blended the strings with a nice convolution reverb of a nice hall. Had to use a high pass filter on the strings too because they were a little harsh.

Mastering the song was a nice change from attempting to make the track loud. I used a Josh Groban song as a reference and saw how they really keep the dynamics of the song in tact. The limiter only kicked in about a dB of gain reduction at the loudest section. I did use a few compressors each catching about a dB as well to give it some glue.

You can visit Lightofday’s Myspace page here.

 
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The secrets of Music Business success

24 Aug

Everything you must know ın regards to the music business

If you are reading this then the chances are your goal is get to the top inside the music industry. As an aspiring music star, how you would proceed relating to this ought to change depending on precisely how badly you would like it. The main method that many aspiring music artist are likely to go along with is to find a quick fix, and simply by seeking, both online and by using people they are aquainted with, to gain some type of secret key to help enable these guys to know virtually all they must fully understand with regards to the music business in a single easy session to make sure their path to ‘making it’ is really as simple as possible.

Having said that, this kind of route, and the majority of channels to the top level within the music business, is full of issues. In the event that you truly desire to really make it, as well as have a much better than average chance of developing a career with staying power you should forget about which of these tracks to use. To be able to make it as a rock, pop or maybe hip-hop starlet, or any combination otherwise, you unquestionably need to have and be happy to implement the points further down, with no compromise:

1. Talent

2. Ambition

3. Hard Work

4. Some good luck

5. Someone looking after your business.

When you have all of these, you will likely make it regardless. In truth, you could make it by means of just a few of those traits and be nearly ineffective at a few of the others so long as you’ll be prepared to try.

I’d go so far as to state that that the most important end up being ‘hard work’ as well as ‘ambition’ instead of talent, although just a little talent definitely will do a lot. In reality, what goes on more often than not tends to be that an individual with talent commences all eager and enthusiastic, absolutely believing that they can make it. Yet, after a few scrapes, they start to doubt whether or not they have the talent and drive to make it to the top.

Conversely, the driven performer having considerable self-belief as well as desire gets bumped backwards and merely thinks that their detractors happen to be wrong and gets a harder resolve to rise to the top and show absolutely everyone that they are intended to be a super star.

There are a whole raft of important things that you need to learn about songwriting, recording, performance and, nowadays, self-promotion and music marketing,however, these usually are learnt. What’s hard to master is the critical self-belief and purpose. Usually, you’ve either got this or you have not.

However, to provide a starting point during your search pertaining to musical success, celebrity and fortune, just be sure you have a balanced measure of the five features specified after which you can get out there and learn the many minutiae that you’re going to need.

That is, quite literally, ‘all you need to know about the music business“.